Issue 33 (Spring 2026)
Although our summer issue, this paper also has one foot in the spring and the other in autumn and presents fashions suitable for both the warmer days and chill evenings. In a timely manner, Men’s File’s collaboration with Dege & Skinner and Candiani Denim has resulted in a blazer that might be equally suited to punting on the Cam or pounding the sun-baked tarmac on the narrow streets of Harajuku. The Hemi-powered rag-top rarity the Dual Ghia, evokes balmy July evenings with the top down and the music up loud, and Jamie Delaney’s workshop ride-out captures the last of the summer sun in deepest Norfolk. We are a magazine for all seasons and our theme for issue 34, which is headwear, gives us ample opportunity to invite some of the most directional street stylists in the vintage and revival scene to show us their best.
Noel Coward’s parody of the Englishman abroad (Only Mad Dogs etc.), noted that it was foolhardy to leave the house without your hat, especially in warmer climes. In this issue we provide visual evidence that seeks to support the notion that a man leaving home sans chapeau is not merely a sign of temporary insanity, but a faux pas without equal. While a hat adds stature, poise and purpose to a person’s appearance, the angle at which it’s worn hints at the character of the wearer and perhaps their mood. There can be a performative element to sporting a titfer that makes a statement, however the more it’s worn, the more subtle the performance. In other words, a hat worn day and night becomes a part of individual’s sartorial landscape and any associations with theatrics dissolve. The idea being that the hat wearer is able to create a state of nature in which the headwear in question is hardly noticed as an object in its own right, but manifests as an extension of the person. When we think of Jett in Giant or Johnny in The Wild One, the first image that comes to mind is not an isolated hat, but the entire person and the mood their appearance evoked. However, take that hat away, and the mood shifts dramatically. I started wearing a cycling cap as a committed fixed-wheel rider in the 1980s and since then I feel naked without my head being covered by some functional or elegant headpiece. For an epitaph on my gravestone, it might well say, “He died with his hat on.”
Featuring and produced by enthusiasts for mid-century and wider aesthetics, Men’s File continues to search for the new while unapologetically referencing the old.
Men’s File explores leather as a signifier of subcultural affiliations but also as a functional material that protects and serves the wearer, sometimes for decades. In this feature we present Lewis Leathers, The Real McCoy’s and the London Leather Man in an indulgent retro fantasy.
Riki’s brand is small, exclusive and doesn’t usually reflect what everyone else is doing. This genuine independence is apparent in everything the stylist wears and does.
This is the world of Fabian Jedlitschka and Pike Brothers. A realm in which post- war Americana and militaria are transposed, as they had been 75 years before, onto the picturesque German landscape and into the psyche of the nation’s fashionable youth.
There are certain street stylists, within the realm of male style, who ply their art on the same pavements on which George Brummel once trod. They are few, but their impact on the early moods that permeate menswear is immense.
Aboard this 1920s polished aluminium road rocket is Mr Derek Lee, a student of architecture and a young man of refined tastes. His suits are personally tailored in Hong Kong and his ability in finding original pre and directly post-war clothing is not in doubt.
Many years ago (Gary never says exactly when) Mr Eastman dismantled an ancient A2 flying jacket with the intention of finding out how it was made, with the idea of making a copy for himself. A few decades later and Eastman Leather Clothing is one of a select few of go-to brands for the serious connoisseur of replica militaria.
Painter, motorcyclist and collector of objects from the Old West, Nicholas Coleman lives on the edge of the old frontier town, although now very civilised, Provo, Utah.
A dedicated part-time Tiki-ist, hot-rodder and stalwart of the VHRA organisation, Jacqueline Davis is in fact a full-time professional graphic artist.
The innocence and elegance of pre-war Italy is encapsulated in this series of attractive vignettes featuring Alex Hills, Lucy Manley and an untouched 1935 Fiat 1500.
Just 5 years separate the four watches discussed on these pages, and each has their own unique personality and story to tell.
When Pomona resident Tim Scott told us ‘I wasn’t born into the hot-rodding world’ we imagined a newcomer who had recently stumbled on the scene and cynically recognised its visual potential.
Allow us to introduce you to a line of supercars (the 911 Targa to be precise), that started in 1967 and a far more contemporary ‘super-woman’, both with impeccable credentials.
Named after a province in the south east of Norway, Telemarking is a form of skiing that owes more to practicality than to sport.
The Talented and ultra-stylish New York artist (more recently of Stockbridge, Mass.) gives a masterclass in sketching in charcoal from his studio on the Lower Eastside.
Flaviano Bencivenga is a gentleman of taste and action. A dedicated motorcycle collector and rider the Zurich-based shoe designer spends much time developing both new styles.
Pierre Girard (pictured) is a classic example of a one-man subculture. He creates clothing that he would like to wear and use on his extensive collection of motorcycles...
Northern Soul is a dance and music based subculture that flourished in the northwest of England at the end of the 1960s and into the 1970s.
Somewhere in East London, lost among the crowded grid of Victorian terraced housing and forgotten warehouses, an earnest craftsman hunches over his workbench.